Vital Xposure is very excited to announce that we have been accredited with ‘Basic’ status by Theatre Green Book, for all of our operations including our productions and VX Labs.
Since its founding, Theatre Green Book has become the golden standard for environmental efforts across the industry. It is our pleasure to join the ranks of those who are recognised by the organisation as making the first move towards a truly sustainable theatre industry.

Vital Xposure’s commitment to social justice intrinsically links climate justice and disability justice. As with many social issues, disabled people are being marginalised by the causes of climate change and disproportionately affected by the consequences. Furthermore, the development of solutions that do not factor in disabled people’s voices leads to measures taken in the name of environmentalism that adversely affect disabled people. A movement that aims to tackle huge worldwide issues cannot have truly holistic effects without actively listening to and including the voices of disabled people.

At Vital Xposure, as a disabled-led company, we continue to seek equitable solutions toward environmental sustainability, without compromising access.

This year over 50% of our set, costume, and props for …blackbird hour was sourced second-hand or made from recycled materials. This was in excess of Theatre Green Book’s criteria for the Basic Standard. After the production was completed, 95% of items, materials and costumes went on to a second life. This included donations to other theatre companies and charities, such as the Hackney Night Shelter.

There is a fantastic network of groups and communities that are working together to create a more cyclical industry, such as the Set, Swap, Cycle Facebook group, Set-Exchange and A Good Thing (which links charities with other charities that can use unwanted items).

In more financially tight and more environmentally aware times we should aim to build on our networks to share, borrow and loan. Perhaps there is a potential for shared databases and a better way of communicating with each other about what is gathering dust in our cupboards and storerooms, ready for our peers to use.

Trains were the preferred mode of travel on tour with due care about alternatives – such as car or taxis – where essential to ensure that people’s access requirements were met.

Thinking and planning for sustainability can be part of the artistic process too: collaboration is key and this was vital during …blackbird hour. All creatives in the production made conscious, environmentally friendly choices with a commitment to transformation and regeneration, not just starting from scratch – and with lots of second-hand purchases or donated items where possible – whilst working their magic to create the play’s immersive world. At the end of the production, members of our crew actively helped by connecting with local charities and rural touring companies to donate many items.

We are very proud of the teamwork and for having achieved Theatre Green Book’s Basic Standard!

Moving forward, we will aim for the Intermediate Standard, building on what we learnt so far. On this journey, disability justice, accessibility and collaboration with artists, creatives crew and venue partners will remain vital.

For now: check out our shiny new Theatre Green Book badge!

Green Text reading 'Theatre Green Book, making theatre sustainable'. Basic. Graphic of three stars, one coloured in.

 

Blog photo by Seye Isikalu.

We are thrilled that Quiet Rebels, co-produced with Dervish Productions, has made it to the 2023 Digital Culture Awards Longlist by Arts Council England in the Digital Inclusion category for the innovative integration of creative access in the dramaturgy and presentation of the show, led by Writers and Directors Hassan Mahamdallie and Julie McNamara.

Using a vibrant, percussive soundscape and rich visual narrative with captions, BSL and audio description, access was woven into Quiet Rebels’ dystopian world unfolding stories of white working-class women who crossed the colour line to marry men of the Windrush Generation.

Through a combination of live theatre and digital media (visuals/pre-filmed BSL interpretation) access features were woven into the fabric of the show at all times. Audiences did not need to feel restricted to performance dates or times that met their requirements or worry about access provision whilst enjoying a theatre play.

Quiet Rebels toured to UK Theatres in autumn 2022. We had very positive responses to the creative captioning and pre-filmed BSL interpretation:

“Excellent I have a completely deaf husband and he is beginning to enjoy the theatre again with subtitles.”

“Very good. And works well also for non-native British. It helps to understand the accents.”

“Very accessible, I was included in everything, I didn’t miss out at all via the Sign interpretation on the screen that translated what been said via the actor and then the caption on the wall it was all crystal clear.”

Access features were seamlessly embedded in the play – key motifs of the storyline were repeated throughout the show, in filmed visual scrolls to sew the seeds of the story as it unfolds. These were not only used to remove barriers to arts and culture, but they matched the content and atmosphere: the BSL interpreter was a storyteller; the captions projected onto screens added to the sense of being surveilled and controlled by the regime; much of the visual world of the play was described directly through the narrative, seen through the eyes of the Detective as she carries out her investigation. Therefore access features enhanced the experience for everyone allowing to widen access to theatre as place and process to transport audiences to a different world, make them feel and interrogate the themes/stories presented.

We would like to send a massive ‘thank you‘ to everyone involved in bringing this play to life.

The full Longlist for the 2023 Digital Culture Awards can be found here: https://digitalculturenetwork.org.uk/news/2023-digital-culture-awards-longlist/ 

The Vital Xposure team would like to congratulate all peers nominated for the Award!

Read more audience comments and reviews of Quiet Rebels.

Photo of the diverse creative team at The Albany Featuring, clockwise from left: Theresa Veith and Simon Startin (Vital Xposure staff), Stephen Rudder (filmmaker), JulieMc McNamara and Hassan Mahamdallie (writers), Deni Frances, Charlie Folorunsho and Fiona Whitelaw (actors). Photo credit: Isobel Hawson.

Team photo at The Albany Featuring, clockwise from left: Theresa Veith and Simon Startin (Vital Xposure staff), Stephen Rudder (filmmaker), JulieMc McNamara and Hassan Mahamdallie (writers), Deni Frances, Charlie Folorunsho and Fiona Whitelaw (actors). Photo credit: Isobel Hawson.

It is our turn to share the joy of being back in a room after all these months and make theatre!

Earlier this autumn the R&D team met at The Albany for a rehearsed reading of the script.

In the meantime, Stephen Rudder has added his magic touch to the play’s journey by creating a visual and aural sense of dystopian future and the underground world where the action takes place in. A new trailer, edited by Mohammed Ali, offers a glimpse into the stories that will come to life on stage next year.

Read more about White Pariahs: Quiet Rebels